“Do you want us to contact law enforcement?”
“Yes. Please notify the sheriff’s department that there is an active unauthorized entry situation at the property, and send your on-call manager immediately. I’ll meet them here.”
“Absolutely, Ms. Morales. I’m so sorry. We’re calling right now. Please stay in your vehicle if you feel unsafe.”
“I’m fine,” I say. “Just send them.”
I hang up.
Then, very carefully, I place the phone back in the cup holder.
For a second, everything is still.
The rental car.
The hot air.
The music drifting out from the open deck doors.
The ocean beyond the dunes, endless and indifferent and silver in the late-day light.
Then I open the car door and step out.
The heat hits me like a hand. But beneath it, there is something else too—a clean, powerful steadiness moving through my body. Not rage. Not hysteria. Something far more effective.
I straighten my shoulders. Pick up the folder. Start walking.
The crushed shells in the driveway crunch under my shoes, and that sound—small, dry, unmistakable—carries farther than I expect. Kyle is the first to notice me. He’s standing on the deck with a beer in hand, squinting into the sun like the world has produced an inconvenient extra.
At first he looks confused.
Then his eyes widen.
“Skyla?”
The music cuts off.
Faces appear in windows.
Bridget rushes to the sliding glass door, phone still in hand.
“What the hell?” she says, already offended. “What are you doing here?”
I don’t answer.
I keep walking.
I climb the stairs to the main deck slowly, not because I’m trying to dramatize it, but because I have waited too long for this moment to rush through it now. Each step feels deliberate. Each one sounds out the end of a certain kind of silence.
By the time I reach the top, my mother has emerged from the house holding a glass of white wine. Her face runs through several emotions so quickly they nearly overlap: confusion, irritation, disbelief, then something much more interesting—fear.
“Skyla,” she says sharply. “You need to leave. Right now. You are not welcome here. This is our vacation rental.”
I stop.
I look at all of them.
My father inside, half-standing now, uncertain whether to approach or disappear.
Kyle with beer in hand, looking like someone shoved him into a scene halfway through without explanation.
Bridget furious already because performance requires an audience and I have arrived to seize the lighting.