“No,” I said. “That’s one of the reasons she breaks things so easily.”
By late summer the house felt like mine in the present tense, not just on paper or in grief.
I planted herbs under the kitchen window.
I replaced the porch screens.
I sanded and resealed the upstairs dresser where Diana had left a ring-shaped stain from some hideous candle.
I hung new curtains in the guest room—not because my mother would have chosen them, but because I did. That turned out to matter.
One August afternoon, while clearing the attic more thoroughly than I had yet managed, I found a flat box tucked behind old beach umbrellas and a cracked wooden croquet set. Inside was a stack of legal pads filled with my mother’s handwriting.
Not letters. Notes.
Recipes, grocery lists, half-drafted birthday messages, and between them, pages of observations. Fragments. Thoughts she had written to herself over the years at the beach house and then forgotten.
Rebecca thinks the sea can hear her. I hope she never loses this delusion.
Thomas was almost happy today. Strange how men become themselves around practical tasks and strangers but not always in their own kitchens.
Diana visited with too much perfume and not enough humility. Watches objects as though inventorying a future.
If I leave the hydrangeas to Rebecca, she will either kill them immediately or love them into chaos. Both outcomes feel right.
I sat cross-legged in the dust and read until the attic light turned gold and then amber around me.
There was one entry, dated two years before her diagnosis, that I copied onto a card and kept by my bed afterward.
A house should not become a test of loyalty. If it does, the test was already happening elsewhere and no one named it in time.
By October, the legal dust had settled enough for final agreements. Diana and my father withdrew any claim to use of the property. They returned several missing items through counsel, including my grandmother’s silver serving spoon, a brass clock from the upstairs landing, and—astonishingly—the porch bench cushion covers, which Diana had apparently been storing because she considered the fabric “still viable.” Evelyn’s note accompanying the return inventory contained only one handwritten addition in the margin: I refrained from commenting on “still viable” out of professionalism.
My father wrote me a letter.